John Williams summoned the heroes at the Centennial Olympic Games, but a nerf-herder, her worshipfulness and a kid almost finding himself floating home equally prepared for victory: Star Wars continues its return to pop culture in 1996.
Star Wars was an intricate anomaly. Despite its close ties to 70ies zeitgeist it had superseded the regular status of a classic. Every generation that chanced upon George Lucas’ space opera felt instantly attracted to this peculiar property that grew independently of time and the concomitant limited fads.
Continue reading “Dark Times 11 – 1996 – Part 5”
I am looking forward to seeing The Hobbit this Christmas season but regard the film’s release with a troubled brow: The media has unfortunately weighed down Peter Jackson’s entertaining spectacle with thousands of words spent on picking apart the apparently questionable decision on the director’s part to shot this film in 48fps.
Most horribly, the focal point regarding a beloved tale is the technology employed rather than the magic conveyed. In a business thriving on mesmerizing audiences, this is unacceptable.
Continue reading “The Hobbit: The bane of innovation”
It is a truth universally acknowledged that Stallone must be in need of bringing the suffering to Daylight. Yet Star Wars aficionados were rescued by Ben Burtt in 1996. New instalment in the series on how Star Wars returned to pop culture.
Lucasfilm understood that a franchise was supposed to act as a companion to its followers and ensured that fans could constantly enjoy the invigorating sensation of discovery within the familiar universe of Star Wars.
Continue reading “Dark Times 11 – 1996 – Part 4”